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kuwayama
- kijima / 01.06.16 |
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CD by trente oiseaux Germany ) |
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kuwayama
kiyoharu : cello
kijima rina : violin
recorded at the warehouse no 20 ,garden pier in port
of nagoya
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Reviews
KUWAYAMA - KIJIMA: 01.06.16
trente oiseaux | TOC 023 | CD
The best way to describe
{01.06.16} would be 3site-specific free improve or
environmental free improve {Kuwayama Kiyoharu} (cello)
and {Kijima Rina}
(violin) set to play and record under a highway in the
middle of the night.
There are absolutely no electronics involved -- a rarity
on the {Trente
Oiseaux} label. What we hear is four excerpts from their
performance, violin
and cello intermingling with the sounds of cars passing
by. Kuwayama and
Kijima create delicate improvisations remote from any
classical or jazz
languages: fragile gestures, extended techniques, and
acute listening. This
music has a counterpart in England in the work of {Simon
H. Fell}1s
{Improvising String Trio} and {Tony Wren}1s {Quatuor
Accorde}. But here
there is the extra"in situ" feel. At times
it seems the musicians
deliberately ignore the traffic over their heads. In
specific sections, they
sound propelled by the level of ambient noise. Witness
the end of
{01.06.16 }: the sudden absence of traffic (a rare occurrence)
prompts
them to distillate the music, let it evaporate completely.
This is the
second all-acoustic album {Trente Oiseaux} released.
The first one was a
collaboration between {Reinhold Friedl} and {Michael
Vorfeld}; it kept a
tie to the lowercase esthetic established by the label.
{01.06.16} is
different, as it doesn't make microscopic study of sound
or silence an
essential aspect of the music. On the other hand it
raises questions on
performance space and the recording (ossification) of
improvised music
(ephemeral by nature). More importantly, at the basis
of it all is a highly
inspired performance by the two players. Recommended.
- Francois Couture - |
KUWAYAMA-KIJIMA
- 01.06.16 (CD by Trente Oiseaux)
Once again, K-K have undertaken a trip to the Japanese
underworld,
recording their improvisations on cello and violin underneath
a
highway at midnight.
And judging by the sound of the passing cars, it's been
a good choice
to do this at midnight; during the day the sound of
the traffic would
probably have drowned them out. Even at night it seems
to be pretty
busy over there. So, this CD presents four improvised
pieces using a
vocabulary that is very rich, from free jazz to contemporary
composed
music and everything inbetween. The passing cars have
a very specific
influence: they seem to be directing the duo in a strange
way. In a
sense this is only true, of course. K-K have been reacting
on their
environment without any doubt. At other moments, it
seems just the
other way around: as if cars are recting on K-K's music.
This a
fascinating record for everyone interested in contemporary
music and
music concrete. (MR)Vital Weekly |
kuwayama-kijima
/ 01.06.16
GERMANY TRENTE OISEAUX
Another 'traffic sound' record. Players Kuwayama Kiyoharu
(cello) and Kijima Rina Performed their music - live
string work improvisations - and recorded it 'at the
bottom of the highway at midnight'. The hum of the passing
cars on site is compelling mixture. The sound of the
cars soon becomes a pleasing effect, not noise pollution;
it adds a lot to the music; or perhaps the players improvise
around it . Sight and sweeps of string glissandoes are
indistinguishable from the swooshing of a passing vehicle
in the distance. A very sympathetic marriage.
Apparently this is only the second time that the trente
oiseaux label, in their dedication to providing a focal
point for ultra-minimal sound art,have released a CD
of improvised music. Of course, what probably appeals
to Bernhard Gunter (and to us listeners) is what he
calls the 'spatial impression' created by the cars going
by . A reference point for the ears , it opens up the
performance space being used to such great effect by
these talented japanese musicians.
Indeed, it creates a unique aural image the like of
which i can't say i have heard before . Now, if only
more classical music was recorded like this (an unlikely
prospect, I'll admit) , then i might take more of an
interest in it; maybe the big record label that looks
after Nigel Kennedy could persuade him to make a 'mortorway'
CD along similar lines, or at least advise him to take
his violin and go outside and play in traffic.
A gorgeous little record ; something that is usually
construed by a recording engineer as an undesirable
noise is transformed into music. In like manner, some
threatening aspects of 21st century urban living (traffic,car
accidents, carbon emissions, air pollution) have their
danger somehow diminished through their incorporation
into this gentle work of art.
ED PINSENT 26/12/2002
The Sound Projector Elleventh Issue 2003 |
KUWAYAMA
- KIJIMA: 01.06.16
trente oiseaux | TOC 023 | CD
Kuwayama Kiyoharu and Kijima Rina have been performing
together for some time, creating adventurous, subtle
and suggestive improvisational music that blends instrumentation
(they perform on cello and violin respectively) and
location ambience. The sounds of their recording locations
are central to their work, figuring just as prominently
in their music as do the sounds from their instruments.
Last year saw the release of an excellent 7 inch on
20 City which also marked my introduction to the duo's
innovative work. On 01.06.16, their latest full length
release out on Bernhard Gunter's trente oiseaux label
(having been venturing into experimental improv territories
of late), the duo presents four pieces recorded live
at the bottom of a highway at midnight. We can hear
the cars driving by, and the wind, as the two players
work through their improvisations. Each piece seems
both free and tightly structured all at once; the cello
and violin work around each other in slow drones or
in tight, restless movements, creating compelling environments,
conflicting tensions or calming harmonies, disharmonies.
This is music that draws me in deeper and deeper with
repeated listening, the immediacy of the recordings
(reinforced by the location sounds) translates into
an immediacy of listening, of uncovering sound events
in the present tense, being surprised at the turn of
every stone. Recommended. [Richard di Santo] |
KUWAYAMA
- KIJIMA: 01.06.16
trente oiseaux | TOC 023 | CD
Motorists traveling on
the highway might have glanced out the passenger window
and glimpsed two blue flames outside Tkyo flickering
near the bottom of an ambankment one wet June midnight.
On Kuwayama-Kijima's 01.06.16 CD, (Trente Oiseaux),
the whoosh of rubber rolling across asphalt at sixty
miles an hour is at once inviting and malevolent in
its endlessness . playing cello and violin , the duo
scremble like amphibians first making their way onto
land . Gills flex i this snapshot from a monumental
struggle to assimilate , evolve , absorb the summer
air , and scrap off the primordial muck.Burning,clawing.
bananafish |
KUWAYAMA/
KIJIMA 01.06.16 (Trente Oiseaux) cd
A slight departure from the silence and drones that often-inaudible
composer Bernhard Gunter's Trente Oiseaux label is known
for, this disc by Japanese cello and violin duo Kuwayama
Kiyoharu and Kijima Rina is a live acoustic improv set.
Not exactly jazz improv, though! More of an avant-garde
modern classical chamber improv thing, but minus the actual
"chamber", 'cause the real twist is that "01.06.16"
isn't just live, it's what you might term a "field
recording" -- they recorded it outdoors, beside a
highway at midnight! So you get the sound of passing cars
and trucks, adding a whooshing, rumbling texture to the
proceedings. We're not sure if they're really listening
to the traffic and interactively improvising with those
sounds -- although it seems that way at least some of
the time -- but the ambient (and very present) pulsation
of the highway noise makes a nice setting for the creaking,
scrabbling, droning interplay of their strings. This type
of thing is this duo's modus operandi, as we've also heard
Mr. Kuwayama's and Ms. Kijima's previous, self-titled
disc on GG Records which featured them improvising similarily
in a warehouse and on the construction site of an expressway.
Although we're still a bit surprised to find this on Trente
Oiseaux -- being the label that released Reynols' "Blank
Tapes", we'd have expected them to want even more
highway and less violin and cello on this release...
Aquarius Records |
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